Archive for the “tour de fleece 2017” Category

How many divisions to make? In what direction? How do I get that small amount of aqua spread out as much as possible without losing it? The irony of considering, for more than a minute or two, where to draw the line between “thinking” and “overthinking” wasn’t lost on me. So I cast aside all those thoughts and split each four-ounce piece of fibre into 16 pieces. Here they all are:

(That yellow one towards the left side sure does confuse my camera.) Now I’ll take one piece from each of those piles to make sixteen little bundles from which to spin, in order to evenly distribute the different fibres around the whole project. The plan is to spin a worsted weight yarn, but to help me decide whether to go for a two-ply or three-ply, I wrote up the pros and cons:

Pros of a two-ply: more yardage, more distinct colours
Cons of a two-ply: possibly less even, kind of bumpy

Pros of a three-ply: more blended colours, more rounded/even yarn
Cons of a three-ply: less yardage

Once I realized that “more blended colours” meant “less likely to get splotches or pools of bright yellow” the decision was pretty clear: three-ply it is!

I just have to try to resist starting this project until the beginning of the Tour…

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After a variety of fibre is selected, the next step of a Combo Spin is to unbraid/unfold it all, split it up into smaller pieces, and then evenly distribute those pieces. This is two pounds of wool (with a little bit of silk and bamboo in the mix) unbraided onto my dining room table. It was interesting to feel the differences from one braid to the next – this one is softer, that one is more compacted, this one is thicker, that one is less solid.

In this video from the PassioKnit Spinner, she explains her method for splitting up her fibre: first she divides it into eight pieces the short way, then strips each of those pieces in half the long way. For four-ounce pieces of fibre, that comes out to sixteen quarter-ounce pieces – a pretty good distribution!

Half of the fibre I’ve chosen is tonal or evenly variegated, so it doesn’t matter if I split them up the short way or the long way. They’ll be pretty much the same, short or long. Since I find it easier to spin from thicker chunks of fibre, especially if I’m going to be spinning longdraw from the fold, I’m going to break these up the short way. Here’s a picture of those pieces so you can see what I mean (the stripy one on the left is eight ounces; the burgundy and yellow ones are four ounces each):

For the rest of the fibre, however, it *does* matter. I refolded each of the four pieces of top to find the colour repeat. In this one, each colour only appears four times. If I divide it only the short way, I’ll have longer runs of each colour that appear less frequently. The more times I strip it the long way, the more times each colour will appear throughout the entire project.

It was fun to find the repeats! Some of them were very clear:

But some had a couple of places that didn’t quite fit in with the colour pattern:

I’m not going to overthink it (too much); I’m just going to start splitting it up with the intent of even distribution. I can imagine that bright aqua colour in little subtle lines throughout, or in longer runs in fewer spots, but it’s sure to look good either way!

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Maryland Sheep and Wool was a lot of fun this year! I drove up with Caroline on Saturday morning and we met Laurie there. The three of us spent about six hours, minus fifteen minutes for lunch, walking around looking at everything! It wasn’t too crowded, probably because the forecast called for rain in the middle of the day but clear skies on Sunday. Indeed, we did get drizzled on a tiny bit, but not a lot. And there was a lot of mud on the ground; I was glad to have my boots. But because we did very little standing around and waiting, I didn’t get very many pictures.

I couldn’t resist pausing for these paintings, though – and later I got a good shot of their subjects.

And then there was the shopping. I went to the festival armed with lists of possibilities. On one hand, if I could find inexpensive DK-weight yarn, I could knit up some more of the colourwork hats that I have charted out. On the other hand, I was invited to join a “Combo Spin” team for this year’s Tour de Fleece, so I had noted down some of the coordinating colours of fibre already in my stash. Whichever I found first, I said, I would go with for the rest of the day.

It was the fibre, and it was the greens and pinks of a rose garden.

First I found some Ashland Bay merino/tussah in the “Autumn” colourway. Their dyed fibre in this blend is apparently being discontinued, so it was on sale and I bought eight ounces of it. I’m sad that it won’t be made anymore and I’m seriously considering looking around the internet to see if there’s any more at discount prices. Once it’s gone, it’s gone – and I really love Ashland Bay fibre. It may not have the prestige of being handpainted but it’s consistent, it drafts well, the colours are lovely, and it feels nice. Ah well.

Then I saw this FatCatKnits braid in “Ranchero,” on both a plain merino and a merino swirl base. After much deliberation, I went with the swirl, and I regret nothing.

My third buy was a Greenwood Fiberworks braid in merino/bamboo/silk called “Spice Market.” There were a few other colourways that would have worked, but I resisted buying them all.

I brought everything home and set it all up on the table with the two braids of fibre that had gotten me started down this road in the first place: Into the Whirled “Martini & Rossi” romney, and Cloverleaf Farm “Cranberry Bog” merino. I bought that merino nine years ago, before I was good enough to spin it, and I’m glad that it will finally be part of a project. But I thought the group needed something else… not just for quantity, but for the overall colour scheme, to keep it from being too dark.

This braid of Romney that Amabel gave me last year seems to fit in perfectly. I might card a few batts to bring the total up to two pounds, because I have a plan for (eventually) making a sweater from this pile of squishiness. (Also because I haven’t carded up a blended batt in a while, and it seems like a fun thing to do on this cool and windy day.)

So what’s a Combo Spin, anyway? The idea is that you take a bunch of fibre with one or two colours in common, split it up into many small pieces, and randomize the pieces to make a blend. Once it’s spun and plied, you end up with a mostly homogenized yarn that looks like it was all meant to be together. The colours get evenly distributed throughout the whole yarn, and the textures of the different fibres combine in really interesting ways. There’s a thread on the Ravelry forums with further explanations and examples, or you can check out this video.

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